Artbot Setup Instructions for Henry Fuseli

1. DM Andrei and let him know you are setting up a bot for Henry Fuseli!
2. Set up a Twitter account using your phone number and follow the activation steps.

  • Pick a username similar to HenryFuseli or Henry_Fuseli.
  • Add Artist's name, description, location and the link to their Wikipedia page. Please follow the format used for @artistmonet, the bio should look something like this:
  • Fan account of Henry Fuseli, a fancy pants artist best known for his nocturnal scenes of urban landscapes. #artbot by @andreitr.
  • Add an avatar image and a cover. We usually grab all that from the artist's Wikipedia page.
  • You are done here!
  • *** Optional step if you want us to manage this account. Set the email address to artist.henryfuseli@offtheeasel.com and DM Andrei for the verification code.
3. Log into Off The Easel using the newly-created Twitter account.
4. Create a new Twitter Channel.
5. Click on Public Collections and enter Henry Fuseli in the search filed.
6. In the search results, add the Henry Fuseli collection to the bot by clicking on the icon.
7. That's it! DM Andrei and let him know the bot is ready!

** If you want us to manage this account then we'd need the Twitter login info. We will make sure your phone number and other personal information is removed and your bot will join the ranks of the artbots!.

Henry Fuseli

Study for the Prophet
Study for the Prophet
Head of a Damned Soul from Dante's "Inferno," (verso)
Head of a Damned Soul from Dante's "Inferno," (verso)
Sketch for "Oath on the Rütli," Female Figure (verso)
Sketch for "Oath on the Rütli," Female Figure (verso)
Milton Dictating to His Daughter
Milton Dictating to His Daughter
The Cave of Despair
The Cave of Despair
Study for Inquisition, Illustration to Columbiad
Study for Inquisition, Illustration to Columbiad
Hercules Killing the Mares of Diomedes
Hercules Killing the Mares of Diomedes
Combat of Two Greeks
Combat of Two Greeks
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)
Portrait of a Woman (Martha Hess)
Portrait of a Woman (Martha Hess)
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)
The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
The Duke of Gloucester Lying in Wait for Lady Anne at the Funeral Procession of Her Father-in-law, King Henry VI (recto); Standing Male Nude, Leaning Forward (verso)
Portrait of Fuseli (recto); Sketch of a Hand (verso)
Portrait of Fuseli (recto); Sketch of a Hand (verso)
Figure Studies (recto and verso)
Figure Studies (recto and verso)
Mother and Her Family in the Country
Mother and Her Family in the Country
Seated Troubadour Looking at Woman Asleep on Ledge
Seated Troubadour Looking at Woman Asleep on Ledge
Head of a Young Woman
Head of a Young Woman
Charis Phykomené. Verso: Head of a Woman, Unfinished
Charis Phykomené. Verso: Head of a Woman, Unfinished
Sheet of Studies: Three Female Heads, an Arm and a Hand. Verso: Heroic Male Nude and a Face in Profile
Sheet of Studies: Three Female Heads, an Arm and a Hand. Verso: Heroic Male Nude and a Face in Profile
A Sheet of Studies: Three Figures of Recumbent Women. A Head of a Man. Verso: Half Length Figure of a Woman in Profile, and a Study of a Head and Arm; a Nude Male Figure
A Sheet of Studies: Three Figures of Recumbent Women. A Head of a Man. Verso: Half Length Figure of a Woman in Profile, and a Study of a Head and Arm; a Nude Male Figure
Self-Portrait as a Faun. Verso: Head of a Woman Three-Quarters to Left
Self-Portrait as a Faun. Verso: Head of a Woman Three-Quarters to Left
Self-Portrait and Anatomical Studies. Verso: Two Male Anatomical Studies
Self-Portrait and Anatomical Studies. Verso: Two Male Anatomical Studies
2. Caricature of Northcote
2. Caricature of Northcote
Siegfried about to Deny on Oath that Brunhild Had Been his Paramour. Verso: The Figures Traced Through
Siegfried about to Deny on Oath that Brunhild Had Been his Paramour. Verso: The Figures Traced Through
The Shepherd’s Dream, from ‘Paradise Lost’
The Shepherd’s Dream, from ‘Paradise Lost’
Lady Macbeth Seizing the Daggers
Lady Macbeth Seizing the Daggers
Percival Delivering Belisane from the Enchantment of Urma
Percival Delivering Belisane from the Enchantment of Urma
The Debutante
The Debutante
Titania and Bottom
Titania and Bottom
The Assassination
The Assassination
The Vision of Catherine of Aragon
The Vision of Catherine of Aragon
The Tempest
The Tempest
The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy Land) 1780
The Italian Count (Ezzelin Bracciaferro, 'Iron Arm', Musing over Meduna, Destroyed by him for Disloyalty, during His Absence in the Holy Land) 1780
The Dream of Queen Katherine
The Dream of Queen Katherine
The Dream of Queen Katherine
The Dream of Queen Katherine
The Dream of Queen Katherine
The Dream of Queen Katherine
Friar Puck
Friar Puck
Lady Macbeth Seizing the Daggers
Lady Macbeth Seizing the Daggers
A Scene from 'The Wife of Bath's Tale'
A Scene from 'The Wife of Bath's Tale'
The Fire King
The Fire King